Apple motion 5 masking free
Be part of the movement! Alight Motion is the first professional motion design app for your smartphone for iPhone, iPad, and Mac, bringing you professional-quality animation, motion graphics, visual effects, video editing, video compositing, and more!
There are several paid membership options in the app to remove the watermark and access a regularly updated library of premium effects and features. These subscription membership options are charged when you select to purchase them, and renew automatically unless canceled at least 24 hours prior to the beginning of the next subscription period.
After purchasing, subscriptions can be managed in your Apple ID settings. I love alight motion! It great for editing, animating, and I just love everything about it. However, the problem is that there would be weird stuff going on.
Like for one, it would show all my photo and I would be fine, but then all of a sudden, the photos disappear. I had to delete and reinstall the app again for this to work again. The next thing is that it would just randomly crash and take me back to my Home Screen. When you have an element that mainly consists of text, it will let you do a simple text edit when brought into a project.
My issue is that when I add an element with the simple text edit into my project, make the changes I want, and exit out of the project, it doesn’t save.
When I go back in the project, the element text is set back to its default. We understand what you mean! We apologize for any inconvenience. Please contact support alightcreative. The more information you can provide, the more like we are to be able to help. Thank you for bringing this to our attention! The developer, Alight Creative, Inc.
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Developer Website App Support. You Might Also Like. Polarr 24FPS. VivaCut – Effect Video Editor. Time Cut: Smooth Slow Motion. Video Star.
Apple motion 5 masking free.Motion (software)
See Connect clips in Final Cut Pro. Select the clip in the timeline, then position the playhead at a point within the clip that shows the area you want to make transparent. To open the Effects browser, click the Effects button in the top-right corner of the timeline or press Command The Shape Mask onscreen controls appear in the viewer , superimposed over the video image. You can select a mask as a whole path, which is appropriate when you want to move or resize a mask.
However, if you want to change the path of a mask, select one or more points on it. Selected points appear solid, and unselected points appear hollow. You can select only whole masks in the Timeline panel.
To select individual vertices on a mask, use the Composition or Layer panel. Locking a mask prevents you from selecting it in the Timeline, Composition, and Layer panels or setting it as a target in the Layer panel.
Use this feature to avoid unwanted changes to the mask. You can scale and rotate an entire mask or shape path or selected vertices in one or more paths using the Free Transform Points command.
When you use this command, a free-transform bounding box surrounds the selected vertices, and an anchor point appears in the center of the bounding box to mark the anchor point for the current transformation.
You can scale and rotate the selected vertices by dragging the bounding box or its handles. You can also change the reference point from which the vertices are rotated or scaled by moving the bounding box anchor point. The free-transform bounding box handles and anchor point exist independently of the handles and anchor point for the layer. When you animate rotation using Free Transform Points, the vertices of the mask are interpolated in a straight line from keyframe to keyframe.
For this reason, the results may be different from what you expect. You can convert any manual Bezier mask path or manual Bezier shape path to a RotoBezier path. If the manual Bezier path has direction handles that have been adjusted, this conversion changes the shape of the path, because After Effects calculates the curvature of RotoBezier segments automatically. The conversion of a RotoBezier path to a manual Bezier path does not change the shape of the path.
You can change a Bezier mask path using the Selection tool and pen tools in the Layer or Composition panel. You can change a Bezier shape path using the Selection tool and pen tools in the Composition panel. To reveal these tools in the Tools panel, click and hold the Pen tool in the Tools panel. In most cases, the appropriate pen tool becomes active when you place the Pen tool pointer in a particular context. For example, the Delete Vertex tool becomes active when you place the Pen tool pointer over an existing vertex, and the Add Vertex tool becomes active when you place the Pen tool pointer over a path segment.
To manually activate and cycle through these tools, press G. When modifying a path, make sure that you click only existing vertices or segments; otherwise, you may create a new path instead.
The Adjust Tension pointer appears as you drag a vertex of the RotoBezier mask. Dragging up or to the right decreases the tension of the selection, increasing the curve of adjacent path segments; dragging down or to the left increases the tension of the selection, decreasing the curve of adjacent path segments. To animate a path, After Effects designates the topmost vertex at the initial keyframe as the first vertex and numbers each successive vertex in ascending order from the first vertex.
After Effects then assigns the same numbers to the corresponding vertices at all successive keyframes. After Effects interpolates the movement of each vertex from its initial position at one keyframe to the position of the correspondingly numbered vertex at the next keyframe. At any time during an animation, you can designate another vertex as the first vertex; this causes After Effects to renumber the vertices of the path. Renumbering vertices causes path animation to change, because After Effects then maps the new vertex numbers to the corresponding old vertex numbers still saved at successive keyframes.
When copying a closed path into a motion path, the vertex designated as the first vertex of the closed path is used as the beginning of the motion path. All motion paths are open paths. Some shape path operations, such as Trim Paths, also use the first vertex as input to determine how to modify the path. By default, when you add a vertex to a path, the new vertex appears on the path throughout the duration of the path but reshapes the path only at the time at which it was added.
When you delete a vertex from a path at a specific point in time, the vertex is deleted from the path throughout the duration of the path.
The vertex designated as the first vertex appears slightly larger than the other vertices in the Composition panel. Smart Mask Interpolation provides a high level of control for creating mask path keyframes and smooth, realistic animation. After you select the mask path keyframes to interpolate, Smart Mask Interpolation creates intermediate keyframes based on settings you provide. The Info panel displays the progress of the interpolation and the number of keyframes created.
To interrupt the interpolation process, press Esc. The Info panel indicates that the process has been interrupted and reports the number of keyframes created. Keyframe Rate. Specifies the number of keyframes that Smart Mask Interpolation creates per second between the selected keyframes.
Choose Auto to set the keyframe rate equal to the composition frame rate, which appears in parentheses. Create more keyframes for smoother animation; create fewer keyframes to reduce render time. Regardless of the keyframe rate you choose, Smart Mask Interpolation always adds keyframes at the frame just after the first mask path keyframe and at the frame just before the second mask path keyframe. For example, if you interpolate between keyframes at 0 seconds and 1 second in a fps composition with a keyframe rate of 10 keyframes per second, mask path keyframes are added at frame numbers 1, 3, 6, 9, 12, 15, 18, 21, 24, 27, and Keyframe Fields.
Doubles the keyframe rate. When this option is selected, and Keyframe Rate is set to the composition frame rate, a keyframe is added at each video field. Select this option for animated masking for interlaced video. If this option is not selected, the mask may slip off the object that you are attempting to key out. For more information about fields in interlaced video, see Interlaced video and separating fields.
Use Linear Vertex Paths. Specifies that vertices in the first keyframe move along a straight path to their corresponding vertices in the second keyframe.
Leave this option unselected if you want some vertices to interpolate along curved paths; for example, when the desired interpolation involves rotating parts.
If this option is not selected, Smart Mask Interpolation creates a natural path for the mask. Bending Resistance. Specifies how susceptible the interpolated mask path is to bending instead of stretching. A value of 0 specifies that, as the mask path animates, it bends more than it stretches; a value of specifies that the mask path stretches more than it bends.
Specifies how strictly Smart Mask Interpolation matches vertices from one keyframe to another. A value of 0 specifies that a particular vertex in the first keyframe matches only the same-numbered vertex in the second keyframe. For example, the tenth vertex in the first keyframe must match the tenth vertex in the second keyframe.
A value of means that a vertex in the first keyframe can potentially match any vertex in the second keyframe. Higher values usually yield better interpolations; however, the higher the value, the longer the processing time. Add Mask Path Vertices. Specifies that Smart Mask Interpolation adds vertices to facilitate quality interpolations. In general, Smart Mask Interpolation works best when the mask paths have dense sets of vertices. Also, a vertex on the first mask path cannot match the middle of a curve or straight-line segment on the second mask path, so sometimes you must add vertices before matching to produce the desired result.
Smart Mask Interpolation does not modify the original keyframes. Only the new mask path keyframes computed by Smart Mask Interpolation have additional vertices. The value you set specifies how finely the input mask paths are subdivided. Pixels Between Vertices specifies the distance, in pixels, between vertices on the larger perimeter mask path after subdivision.
Total Vertices specifies the number of vertices on the interpolated mask paths. Percentage Of Outline specifies that a vertex is added at each indicated percent of the mask path outline length. To use only the vertices that were on the path at the first frame, do not select this option. It always amazes me when I see something in Adobe I challange myself to create the same in Motion 5. It’s a big learning curve and in my opinion there is nothing out there on the market as good as Motion 5 for value for money.
The following data may be collected and linked to your identity:. The following data may be collected but it is not linked to your identity:. Privacy practices may vary based on, for example, the features you use or your age. Learn More. Mac App Store Preview. Just about anything you can do in AE you can do in Motion I duplicated the 5-sided star for the red outline and used a filled version for the shape-mask applied to the Checkerboard drag and drop the filled star onto the checkerboard to apply it as a mask.
So, for the layer order, at the bottom I have the Checkerboard with the shape mask and the 5-sided star with the red outline only on top. All of these items exist in a Group. I selected the Group and selected the Group inspector. I set Fixed Resolution and adjusted the width and height to just fit the points of the shape. When you select the Distort tool, you will notice it has absolutely NO effect on this Now, the bounding box of the 2D Fixed Resolution group will be used for the Distort a.
To help with “softness” issues, start with a larger object and scale down the clone layer object While I’m thinking about it — any animation you apply to any of the objects within the original group will appear in real time in the Clone – it is not a fixed object. Doesn’t really apply here, but Clones are a very powerful feature in Motion that gets overlooked quite a lot. They are at once, an object, a rasterized movie of its source material, a placeholder for individual frames think emitters and replicators , etc.
May 12, PM.
How to do the “free transform” in Motion … – Apple Community – Screenshots
The Shape Mask effect allows you to quickly create a mask in any shape on the continuum from ellipse to rectangle. Note: The Shape Apple motion 5 masking free is the only simple mask that can be converted to editable control points for making complex custom masks changing it into a Draw Mask.
Add the clip you want to mask to the Notion Cut Pro timeline. Note: If frew want to composite the clip over a background clip, you must use connected clips. See Connect clips in Final Cut Pro. Select the clip in the timeline, then position the playhead at a point within the перейти that shows the area apole want to make transparent.
To open the Effects browser, click the Effects button in the top-right corner of the timeline or press Command The Shape Mask onscreen controls appear in the viewersuperimposed over the video image. Motiob Shape Mask parameters appear in the Effects section of the Video inspector. By default, masjing Shape Mask is set to взято отсюда partially feathered ellipse shape in the center of the frame.
You can hold down the Http://replace.me/18533.txt key while dragging to force apple motion 5 masking free sides to scale proportionally. Apple motion 5 masking free hold down the Option key to adjust one side only. One extreme motlon the curvature continuum is a perfect rectangle. The other extreme is an oval or a perfect circle.
Setting the outer circle close to the inner circle creates a hard edge and an abrupt transition to the background, and dragging the outer circle away from the inner circle creates a softer edge and a more gradual transition. Note: The Shape Mask is just one of several simple mask effects.